And the winner is ... all of us? How the Oscars have changed for the better

The diversified Academy and a mutating industry have changed what many had come to expect from the stuffy, rule-following Oscars Last year, as the major fall film festivals took place around the world, it was hard to make out the sound of audience applause. It wasn’t an attendance issue or that booing was heard instead (that’s solely a Cannes response), it was that, for many, hands were too busy wringing to find time to clap. The trifecta of Venice, Telluride and Toronto was once seen as an inescapable fixture on a film’s road to the Oscars. Best picture winners such as 12 Years a Slave, Spotlight, Birdman, Moonlight, The Shape of Water and Green Book all rose within that circuit and cemented their reception at festivals and world premieres and often felt judged for awards potential over quality. But over the past few years, as the Academy has changed and diversified its voting body and as the industry has changed in so many other ways, something has shifted. Winning films have come from Cannes, Sundance, SXSW and, most shockingly, no festival at all … This year saw a further swing away from the film festival to Oscar pipeline with the two most dominant films emerging the old-fashi