âPeople are exhausted by Blackpink and BTSâ: the DIY Chinese bands redefining corporate âidolâ pop

Since the regime quashed Chinaâs version of the K-pop industry in 2021, an underground âalt-idolâ culture has emerged, championing freedom and experimentation Over the past decade, âidolâ culture has turned east Asia into a pop music powerhouse as global audiences have flocked to Japanese and especially South Korean groups. Formed and exactingly trained by big entertainment conglomerates, bands such as BTS and EXO have blown up internationally thanks to bombastic songs, sensational dance routines and marketing campaigns designed to build a parasocial relationship between performers â idols â and their fans. Their neighbour China, however, the population of which is roughly eight times that of Japan and South Korea combined, has produced few groups with similar fame. Until 2021, Chinese versions of Korean idol-training shows â think The X Factor with considerably more challenging choreography â were gaining huge audiences. But the shows, and the fan culture they inspired, drew the ire of the Chinese government. It cracked down on âtoxicâ fandom, an initiative that included banning idol-development shows. âIt was an excuse to regulate the internet,â says Em
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