Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness

Inventive creature design, goopy practical effects and a metal guitar soundtrack make this reworking of a Roger Corman fantasy a treat for one’s inner child A 1980s Roger Corman swords-and-sorcery movie gets a loving remake here, as strapping antihero Deathstalker attempts to break the spell of a cursed amulet in the Kingdom of Abraxeon, with sensational low-budget creature design and lashings of goopy practical special effects where you can really feel the splatter. Said kingdom is being laid waste by the Dreadites, minions of the evil sorcerer Nekromemnon. You’ll know how you’ll feel about this film by your response to words such as “Dreadites” and “Nekromemnon”. For many (like me), there is wondrous pleasure to be found in the ludicrousness of this nomenclature – so perfectly on the nose and so stupidly appealing to one’s inner child. Everyone else please move along, this movie is very much an acquired taste. And what a taste it is! The creature design is one of Deathstalker’s many delights: flying eyeballs, a troll with two faces emerging from its torso, some juicy little toothy worm guys, a thing that’s part Slimer from Ghostbusters, part high-fantasy wra

Apr 1, 2026 → Apr 1, 2026