Why Train Dreams should win the best picture Oscar

With its meditative pace and sincere interest in moral questions, Clint Bentley’s film of a rudderless man cutting down trees in Idaho’s verdant vistas has the air of a Hollywood classic from another era Train Dreams is arguably the lowest-profile of all the Oscar best film nominees, and could have easily passed me by, destined instead to be lost in the sprawling Netflix library, if it weren’t for a phone call with a friend last year. She had just watched one of last year’s big films – which carried famous names, plenty of hype, and promised to generate lots of debate – and emerged feeling despondent about it as well as the state of cinema. It was a film that, like so many she had recently encountered, contained only empty provocations that amounted to nothing. “I don’t want to sound like a cliche,” she said, “but I believe this was all better in the 1970s!” Train Dreams was one of the few films of the year she had enjoyed. So I came into Train Dreams, Clint Bentley’s adaptation of the Denis Johnson novella, with that idea in mind: that it was a thing out of step with our time and possibly better for it, too. Immediately, its use of a kindly voiced omniscient narrator recalled Holl