The Gondoliers review â brilliantly barbed Gilbert and Sullivan is a feast for the eyes and ears

Lyceum theatre, SheffieldContemporary resonances abound in English Touring Operaâs gloriously choreographed and costumed period production: a masterclass in clarity over chaos, performed with boundless enthusiasm The Gondoliers, Gilbert and Sullivanâs last big hit, came hot on the heels of their infamous quarrel over the cost of a carpet at the Savoy theatre. There is no hint of acrimony, however, in what must rank as Sullivanâs sunniest, most sophisticated score wedded to some of Gilbertâs most brilliantly barbed lyrics. What could be shrewder than, âWhen everyone is somebody, then no oneâs anybodyâ? A sharply pointed satire on the pitfalls of egalitarianism, the plot features babies swapped at birth and a pair of gondoliers, one of whom may or may not be the son of the recently deceased King of Barataria. English Touring Operaâs period production locates the action in the late 17th century, but contemporary resonances abound: the cash-for-endorsements antics of the money-grubbing Duke and Duchess of Plaza-Toro are but one step removed from the Andrews and Fergies of today. Visually, Liam Steelâs staging channels the chocolate box style of the DâOyly Carte comp
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