Sunn O))): Sunn O))) review | Alexis Petridis's album of the week

(Sub Pop)The doomy duo strip back their sound to tectonic guitars and feedback, conjuring an immersive, strangely euphoric listening experience recorded in the wilds of Washington Nearly seven years on from Sunn O)))’s last two albums, the Steve Albini-produced companion pieces Life Metal and Pyroclasts, the drone metal pioneers’ 10th album presents itself as a return to basics. Eponymously titled and released on Sub Pop – the label that put out drone metal’s ur-text, Earth’s 1993 debut Earth 2: Special Low Frequency Version – it strips away Stephen O’Malley and Greg Anderson’s penchant for collaboration (Scott Walker, Merzbow) and much of the expanded musical palette that came with it. No church organ, no dulcimer, no vocals, no radical reassembly of their material courtesy of Nurse With Wound’s Steven Stapleton: closer Glory Black features a brief burst of piano, and there are apparently synthesisers somewhere in the mix, but for the most part, the album seems to deal almost exclusively in heavily distorted down-tuned guitars and feedback, the core of Sunn O)))’s sound since they formed in 1998. But clearly the notion of a back-to-basics album should not be co