Move over, Odysseus: time for the women of ancient Greece to have their moment in the sun | Natalie Haynes

The hottest ticket in theatreland will soon be Cate Blanchett in Electra/Persona. Caged female rage continues to capture audiences It feels like a very Greek summer here in the UK. The ground is scorched, it last rained months ago, and the giant publicity machine for Christopher Nolan’s billion-dollar-grossing The Odyssey – from red-carpet frocks to professorial disapproval – is a Charybdis, swallowing all other cultural events in its gaping maw. Mere Mortals – San Francisco Ballet’s astonishing work inspired by the story of Pandora – runs in Edinburgh this month before going to Sadler’s Wells in September. And Greek tragedy continues to fill London’s theatres. Last week, I went to see Simon Stone’s reworking of Aeschylus’s Oresteia at the Bridge theatre in south London, and it was packed. Even on a Thursday afternoon, there was a huge audience for the story of a family who turn on one another, wreaking intergenerational violence until their whole house lies in tatters and madness. Partly that is because of the excellent cast: David Morrissey and Mary-Louise Parker play Christopher and Montie – a modern Agamemnon and Clytemnestra, their marital squabbles fizzing back and forth unti