Tomorrow Will Be a Palestinian Day review – work that finds a way out of Gaza’s ruins

Theatre503, LondonHope still resides against horror in this collection of short plays from Palestinian playwrights, poets and artists What are the basic requirements of theatre-making? Actors, writers, resource and rehearsal space, to name a few. What happens when these factors are narrowed to their most dangerous extremities? Companies like Belarus Free Theatre and the Freedom Theatre have shown that theatre does not stop its production even as bombs and bullets assail the building. The work finds its way to an audience. This is certainly the case with this collection of nine short plays written by Palestinian playwrights, poets and artists. Directed by Ahmed Masoud and Micaela Miranda, the show has been rapidly put out with just one week of rehearsals. Four writers are currently in Gaza while two are former political prisoners, including Walid Daqqa, one of the longest-serving Palestinian prisoners, who died in custody in 2024. An extract from The Martyrs Return to Ramallah (translated by Julia Choucair Vizoso) is both absurdist and haunting, featuring the dead bodies of prisoners stored in Israeli prisons and denied burials, who begin to talk to each other. Its absurdist overton