Give theatre choreographers and movement directors their own awards, says union group

‘If we celebrate the impact of physical storytelling, we must acknowledge the artists behind it,’ says Equity body, calling out the lack of movement categories in major awards Choreographers and movement directors in theatre are undervalued by awards ceremonies and deserve greater acknowledgment, says the Equity group representing both disciplines. At last weekend’s Oliviers ceremony, the award for best theatre choreographer went to Fabian Aloise for Evita at the London Palladium. In a statement, Equity’s Choreographers and Movement Directors Network (CMDN) said it was “brilliant to see choreography recognised on major stages like the Olivier awards” but drew attention to the movement directors who worked on nominated productions yet went unrecognised with their own category. The ceremony “opens up a bigger conversation about what language we use to describe how theatre is made, and questions who gets named in that process – especially when it comes to movement and choreography”, said the CMDN. “We want to spotlight the movement directors whose work has been integral to some of the year’s most powerful productions: Leanne Pinder for Punch, Sarah Golding for Kenrex, Imogen Knight fo