English National Ballet: Body & Soul review – from an army of AI bots to waves of pure human emotion

Sadler’s Wells, LondonKameron N Saunders’s ambitious sci-fi-coded fable is paired with a showcase of Crystal Pite’s mastery in contrasting order with human messiness The headline news here is Taylor Swift’s star backing dancer getting a major commission for English National Ballet. If it looks nothing like a pop concert, that’s because Kameron N Saunders is a choreographer who has worked with Chicago’s Joffrey Ballet among others. He is also an early career artist, who in his piece Proper Conduct has thrown a huge amount of ideas into a high concept dance that leaves a few question marks. The first section is breezy ballet, Justin Peck style, saturated colours and sunshine. But don’t get comfortable, because Saunders is about to pull the rug. A sci-fi-voiced narrator tells us of the rot in society and it segues into nude-costumed conjoined dancers, in striking formations and fleshy connections (the dancers are excellent throughout). But then in comes an army of AI robots in Daft Punk-style visors. It’s visually impactful, with genre-fluid movement, but flails a bit in terms of conveying meaning. Is the message to beware of people who tell you how to live as they’l

Mar 20, 2026 → Mar 20, 2026