UK taxpayers want higher levies on big tech companies, survey shows
Two-thirds of respondents support increasing the 2% digital services tax for multinationals Taxpayers want the UK to increase levies on giant global technology companies such as…
Barbican theatre, LondonImpeccable vocals and slick staging make for dazzling set pieces in a tame production thatâs missing the emotional centre of the 1956 film Five years ago, the Barbican staged the first of three Cole Porter musicals in quick succession. A sublime revival of Anything Goes was fun, frothy and polished to perfection. Kiss Me, Kate followed, and now this show, about the romantic shenanigans of the American east coast gentry. Immaculate in its song and dance, it is smoothly staged from the minute the (doomed) multitiered cake is wheeled on for the upcoming wedding in Long Island. But something is missing from the love triangle between socialite Tracy Lord (Helen George), her pining ex-husband Dexter (Julian Ovenden) and square fiance George (David Seadon-Young) â with undercover journalist Mike (Freddie Fox) thrown into the romantic pot for good measure. That missing something makes it a mechanical carousel of set pieces without the human drama, despite characterful but accompanying parts in Felicity Kendalâs wry Mother Lord and Nigel Lindsayâs charmingly roguish Uncle Willie. It bears the same pastel-coloured floatiness as the 1956 film on which it is par

Jun 4, 2026 → Jun 24, 2026
Guardian journalism is independent. We earn a commission if you buy something through an affiliate link. Learn more. Aldwych theatre, LondonFrank swings into the West End with a swaggering turn from Joel Harper-Jackson and plenty of style…
Read original at The Guardian →2 updates from 1 source over 3 weeks.
Guardian journalism is independent. We earn a commission if you buy something through an affiliate link. Learn more. Aldwych theatre, LondonFrank swings into the West End with a swaggering turn from Joel Harper-Jackson…
Read original at The Guardian →Barbican theatre, LondonImpeccable vocals and slick staging make for dazzling set pieces in a tame production thatâs missing the emotional centre of the 1956 film Five years ago, the Barbican staged the first of three…
Read original at The Guardian →What this story stands on. Tier 0 is a primary record or the subject's own words; higher tiers must be attributed, never stated as bare fact.
Guardian journalism is independent. We earn a commission if you buy something through an affiliate link. Learn more. Aldwych theatre, LondonFrank swings into the West End with a swaggering turn from Joel Harper-Jackson and plenty of style…
View source →Barbican theatre, LondonImpeccable vocals and slick staging make for dazzling set pieces in a tame production thatâs missing the emotional centre of the 1956 film Five years ago, the Barbican staged the first of three Cole Porter…
View source →Tier key: T0 = Primary source · T1 = Wire · T2 = Outlet report · T3 = Commentary
Two-thirds of respondents support increasing the 2% digital services tax for multinationals Taxpayers want the UK to increase levies on giant global technology companies such as…
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